Monica Duarte Dantas
Scholars have long studied the rebellious movements that rattled Brazil after its independence and during the so-called Regency period. The scholarship has mainly focused on understanding the political and economic elites who led the revolts by joining or fighting the rebels, or whose interests were at stake. Comparatively little attention has been paid to those who actually fought in the battles: namely, the impoverished free and freed people who comprised the majority of the country’s population. These women and men took up arms and, occasionally, led the rebellions, notably during the First Reign and the Regency. Historical accounts of such revolts are limited, however, and those that speak to upheavals that occurred from the 1850s on are even scarcer.
In the past decades, new interpretations of popular revolts during the Empire have enabled scholars to reappraise how free and freed poor (of Portuguese, African, or Native American descent) experienced the innovations brought by the country’s independence, and the long process of state-building.
Even if the country’s Charta was given by the first emperor, and not duly written and approved by a legislative body, it followed quite strictly the liberal creed that inspired so many other contemporary constitutions. According to the 1824 Charta, all of the country’s natural born were henceforth made citizens, regardless of whether they were free or freed, with constitutionally guaranteed rights. Although one should never mistake the letter of the law for its actual enforcement, its existence should also not be dismissed.
This is especially important when trying to understand the history of a country whose elites kept on fighting not only over the Constitution’s true meaning, but also over governmental control. Battling for independence and state power meant publicizing mottos about freedom, emancipation, the people’s rights, and the overcoming of oppression across the country—words that were spoken out loud and printed in newspapers and gazettes, reaching as far as the Brazilian backlands.
One must always factor into any historical equation the specifics of a country’s population. By the time Brazil became independent, slaves amounted to roughly 31 percent of the population, where most of the remaining 69 percent were composed of free poor, freed people, and “domesticated” Indians; all of whom became citizens when the 1824 Charta was enforced (with constitutional Rights, according to the law, and even, depending on one’s gender, age, income, and status—as a free or a freed man—to vote and be voted).
Considering all those specifics, this article analyzes the involvement of free and freed peoples in 19th century rebellions, riots, and seditions; movements that broke out all over the country, rattling regions as far as Maranhão and Rio Grande do Sul, from the 1820s to the 1880s. Regarding the role played by popular revolts in 19th century Brazil, one must go beyond the boundaries set by a traditional historiography to understand how the experience of protesting was directly related to the process of state building, and how the lower strata of society learned to fight for their demands as citizens of a representative constitutional monarchy.
This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of Latin American History. Please check back later for the full article.
The success of the Diaz regime was based on a modus vivendi between prominent political cultures that emerged after Mexico’s War of Independence. On the one hand, was a culture that Octavio Paz described as “de la ciudadanía,” or “of the citizenry”: in short, a culture of liberalism and constitutionalism in all their variations. On the other hand, were the complex networks of patronage that supported the Caudillo, which Paz called the culture “de la pirámide”—the exercise of personal power through hierarchical authority rather than the institutions of the state, which was (and still is) so common in the Hispanic world.
Throughout the 19th and early 20th century, the Mexican populace demonstrated a fascination with the nation’s railroads. Newspapers, literature, poetry, music, and art focused their attention on the symbolic power of the locomotive, revealing its capacity to reshape people’s social and cultural worlds. As the most potent symbol of progress and civilization, the arrival of the iron horse offered both powerholders and ordinary individuals the opportunity to imagine new possibilities for their nation and themselves, musings that could be highly optimistic or dreadfully distrustful. The locomotive emerged as a ubiquitous symbol throughout the restored republic (1867–1876), the Porfiriato (1876–1911), and the Mexican Revolution (1910–1920) that inspired individuals to reflect on the meaning of an array of issues: modernization, cosmopolitanism, citizenship, sovereignty, and national identity. During the restored republic and Porfiriato, government officials and the press celebrated the railway as the dawning of new age of peace and prosperity, discourses that often sought to legitimize and justify sitting presidents and their policymaking. At the same time, popular and opposition groups used the symbolic power of the railway to question the decision-making of the elite that had resulted in extreme social inequality and foreign economic domination. These divisions were a portent of the conflicts that would spark the 1910 Revolution, a popular struggle where railroads and railway workers played principal protagonists. As such, the railroad emerged in a new context as a symbol to represent the heroism, violence, and disorder of those years.
Kevan Antonio Aguilar
The political and cultural legacy of Ricardo Flores Magón (b. San Antonio Eloxochitlán, September 16, 1873; d. U.S. Penitentiary, Leavenworth, Kansas, November 21, 1922,) has become an integral component of the histories of the Mexican Revolution, Mexicans and Chicanos in the United States, and global social revolutions. Despite being deemed by historians and the Mexican state as a “precursor” of the national revolution, Flores Magón’s political activities preceded and surpassed the accepted chronology of the Revolution (1910–1920), as well as the borders of Mexico. While historical literature on the Revolution is extensive, the global and radical implications of the event as a social revolution are often underappreciated.
Through the Partido Liberal Mexicano (PLM, Mexican Liberal Party) and the newspaper Regeneración (Regeneration), Flores Magón mobilized a transnational social movement in 1906 and continued to inspire popular revolt through his writings on anarchism and revolution until his death in 1922. Many of the members of the PLM (often inaccurately referred to as ideological adherents to Flores Magón, or magonistas) continued to participate in revolutionary activity well after the organization disbanded. Even in death, Flores Magón continues to inspire revolutionary movements in Mexico, the United States, Latin America, and Europe. The history of Ricardo Flores Magón therefore intersects with various local and global histories of resistance throughout the 20th century.
Timothy Wilson and Mara Favoretto
In the 20th century Argentina experienced a series of dictatorial regimes of varying intensity, but the last dictatorship stands apart. The Process of National Reorganization or Proceso (1976–1983) was not only the most brutally repressive, “disappearing” 30,000 of its own citizens into concentration camps, but also the most ambitious in terms of ideological mission. Its campaign, officially called “the war against subversion,” was committed to the total eradication of leftist ideas from the political landscape of the country by any means necessary. This radical transformation was to be brought about not only in the torture chamber, but in the media as well. The regime planned an Orwellian redefinition of words: the systematic creation of a national vocabulary that would exclude certain ideas and parties. In order to achieve its overt project of the appropriation of language, the junta maintained obsessive control over the media, instituted strict censorship reinforced by terror, and bombarded the airwaves and newspapers with official communiqués. In the face of this repression, most journalists and writers and many artists could not express dissent of any kind. Yet singers of a new Argentine music genre that came to be known as rock nacional developed codified and oblique metaphorical expression in their lyrics that allowed them to evade censorship and to continue to criticize the military regime with relative impunity. Moreover, many Argentine youths found solace in the music and used it to create communities in which they could meet and express themselves. The regime had sought to deny young Argentines a forum for public speech; however, together artists and listeners created a rock nacional culture that provided community for the isolated and lent a voice to the silenced.
Sergio E. Serulnikov
Led by Túpac Amaru, Túpac Katari, Tomás Katari, and others, the pan-Andean uprising from 1780 to 1782 was the largest and most radical indigenous challenge to Spanish colonial rule in the Americas since the conquest. Whole insurgent armies were organized in the heart of Peru and Alto Peru (today Bolivia) over the course of two years. Ancient and populous cities such as Cuzco, La Paz, Chuquisaca, Oruro, and Puno were besieged and occupied. Extensive rural areas in Charcas, the provinces in the high Andean plateau bordering Lake Titicaca, and the southern Peruvian sierras, fell under the complete control of the rebel forces. These forces occasionally relied on the direct support of creoles and mestizos. Although Túpac Amaru, the self-proclaimed new Inca king, would become the primary symbol of the rebellion, the insurgent uprisings combined multiple regional uprisings, each with its own history and dynamic. This article explores the similarities and differences among these uprisings in terms of ethnic ideology, social composition, leadership structure, and insistent demands for change.
Susie S. Porter
From la Adelita to the suffragette, from la chica moderna to the factory girl dressed in red shirt and black skirt—the colors of the anarchist—women’s mobilization in the midst of Mexican Revolution was, to a large degree, rooted in their workforce participation. The evolution of gendered occupational segregation of the workforce, sex-typing of occupations, and gendered wage differentials marked women’s experiences and the way they organized to take control of their lives and to shape working conditions and politics. While women’s employment nationwide contracted during the period 1890–1930, it was nevertheless a moment of significant cultural change in the recognition of women’s work outside of the home. Women shifted public debates over their right to work and mobilized around the issues of maternity leave, equal pay for equal work, and respect for seniority. Across the workforce, women fought for the application of the rights afforded by the Mexican Constitution (1917) and then, in the 1930s, by federal labor law. By the fact of their work and because of their activism, women shifted the conversation on the rights of women—single or married, mothers or not, and regardless of personal beliefs or sexual morality—to dignity at work and the right to combine a life of work with other activities that informed their lives and fulfilled their passions.