HAPI began as a local project at Arizona State University (ASU) in 1973. Its founder, Barbara G. Valk, the librarian responsible for Latin American materials at ASU, wanted to provide an index to the university’s periodical literature on the region, which was something that had been unavailable since the cessation of the OAS-sponsored Index to Latin American Periodicals in 1970. Following the success of the project, HAPI moved to the UCLA Latin American Center (now Latin American Institute) in 1976, where Valk used a grant from the National Endowment for the Humanities to fund further development of an annual printed edition of the index. This annual volume would continue to be published through 2008. HAPI was first searchable online via Telnet in 1991 and CD-ROM in 1992; its first website debuted in 1997. Now exclusively available online, HAPI is a self-supporting, not-for-profit publishing unit within UCLA, with subscribers (primarily university and college libraries) around the world. Free subscriptions are provided to institutions in Latin America and the Caribbean.
HAPI now contains over 300,000 citations to journal articles about Latin America, the Caribbean, and Latina/os in the United States and around the world. Articles date back to 1968 following an early retrospective indexing project to cover the gap between the last volume of the Index to Latin American Periodicals and the first volume of HAPI. Almost 400 journal titles are currently indexed and over 600 titles have been included since HAPI’s creation. Subject coverage includes the social sciences and the humanities; history titles represent the largest single subject area covered. HAPI aims to provide access to the most well-known and influential titles in Latin American studies as well as to regional titles that are less well known and often underrepresented in disciplinary indexes with limited Latin American and Caribbean content. Librarians (staff and volunteers) with relevant subject training examine each article and create bibliographic descriptions, subject headings, and keywords for multiple access points to the journal content. Searches can be carried out in English, Spanish, or Portuguese on HAPI’s trilingual website.
HAPI has provided links to the online full-text content of many of its indexed titles since 2003. At that time, with university and college libraries spending heavily on commercial databases, students and scholars were increasingly expecting easy access to the full text of journal articles, but few Latin American and Caribbean journals were included in these commercial products. With limited financial and technological resources, HAPI was unable to become a full-text publisher; instead, HAPI staff focused on tracking down and linking to the full text of the indexed journals wherever they could find it, especially in two Open Access regional databases: Mexico’s Redalyc and Brazil’s SciELO. A vibrant Open Access movement in Latin America has led to a dramatic increase in the free online availability of the region’s journals and unprecedented access to this content for scholars around the world. Over 75 percent of the Latin American journals indexed by HAPI now include links to freely available full text.
Anne Pérotin-Dumon and Manuel Gárate
This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of Latin American History. Please check back later for the full article.
Historizar el pasado vivo en América Latina (Historicizing the Living Past in Latin America), an edited digital publication composed of twenty-four studies, has been online since 2006. It marks perhaps the first effort to identify and examine the emergence of a new brand of contemporary history in Latin American countries that have returned to democratic rule after living under dictatorships or through an internal armed conflict. Historizar el pasado vivo remains the most systematic effort to explore in Spanish, in a digital format, what is often called historia reciente, or (after the French term) historia del tiempo presente—“addressing recent events that remain in the memories of many, by historians who lived through them, in a time in which their dramatic character has made them an enduring moral problem for the national conscience.” More broadly, Historizar el pasado vivo has aimed to draw the attention of the history profession, and the community of Latin Americanists at large, to an exciting intellectual development taking place in Latin America.
Ana Maria Mauad
Since its creation in 1982, the Laboratory of Oral History and Image (LABHOI), a division of the History Department of Universidade Federal Fluminense (UFF), Brazil, has been developing projects on the history of memory of different Brazilian communities, based on both oral and visual sources and the relationship between them.
The main purpose of LABHOI’s projects, despite its academic origin, is to engage communities in the production of their own history through visual and oral records. One of the results of this work is the organization of a digital database, accessible for a large public, that covers three fields of interest: Memory, Africa, and Slavery; Memory, Art, and Media; and Memory, City, and Communities.
LABHOI has become an important source for theoretical and methodological debates about the uses of visual representations of the past, and its members have published books and articles in this field. Recently LABHOI turned to the production of experimental videos based on the idea of the “videographic writing” of history, a modality of historical text that can perfectly mix sounds and images of recollections.
The video productions of LABHOI include the DVD box set Passados Presentes (Present Pasts) with four documentaries built upon our audiovisual archive Memórias da Escravidão (Memories of Slavery), launched in 2012. This audiovisual collection has been developed since 1994 and is composed of more than 300 hours of interviews with the descendants of slaves of the old plantation coffee areas of Rio de Janeiro.
Other projects developed during the last ten years include: Sons e Imagens da Rememoração: Narrativas e Registros das Identidades e Alteridades Afro-Brasileiras dos séculos XIX ao XXI (Sounds and Images of Recollections: Narratives and Records of Afro-Brazilian Identity and Otherness from the 19th to the 21st Centuries) (2010–2013), sponsored by the Brazilian Research Council (CNPq), in which an international network of researchers worked on issues concerning the memory of slavery. História e Memória da Prática Fotográfica no Brasil Contemporâneo (History and Memory of Photographic Practice in Contemporary Brazil), started in 2003, which is organizing a database of interviews with different professionals who have worked before, during, and after the Brazilian dictatorship in order to understand the political role played by photography in producing historical meaning about the present time and the organization of photojournalism as a field for public photography.
Since 2013 LABHOI officially included public history as one of its fields of debate and research with the approval of two new projects: História Pública, Memória a Escravidão Atlântica no Rio de Janeiro (Public History, Memory, and Atlantic Slavery in Rio de Janeiro), sponsored by the Carlos Chagas Foundation, Rio de Janeiro (FAPERJ), which is developing a new approach to the study of the Atlantic diaspora in Rio de Janeiro, a city that has one of the major populations of Afro-descendants in Brazil; and Expanding the Global Feminisms Archive: Brazil and the “BRICS” Five, which is being compiled together with a team of scholars from the University of Michigan.
Digital Resources: LLILAS Benson Latin American Studies and Collections, University of Texas at Austin
LLILAS Benson maintains one of the world’s largest collections of digital assets designed to support Latin American studies. These vast digital holdings, all of which reside on open-source platforms and are freely available to a global audience via the Internet, trace their roots back to the early 1990s, before the advent of the World Wide Web. Since that time, LLILAS Benson has forged partnerships with a broad array of researchers and content producers throughout the Americas in order to bring vital Latin American studies content online while at the same time helping to build local capacity in areas such as digitization, metadata, and preservation throughout the region. These digital collections include materials useful to scholars in a broad array of disciplines, particularly in the humanities and social sciences.
One of the main strengths of the collections is in the area of archival and historical sources, with extensive digitized materials spanning more than five centuries and all countries in Latin America and the Caribbean. The digital collections are particularly strong in terms of Mexican history. Major holdings in the digital collections that include material of interest to those conducting historical research are the following:
• PLA—The Primeros Libros de las Américas project brings together twenty-one libraries and archives in a collaborative initiative that seeks to digitize all surviving copies of books printed in the New World prior to 1601.
• AHPN—The Archivo Histórico de la Policía Nacional contains more than twelve million pages of digitized Guatemalan police records from the late 19th century through 1996.
• AILLA—The Archive of the Indigenous Languages of Latin America is a digital archive of recordings and texts in and about the indigenous languages of Latin America.
• Archivo de Lucas Alamán is a digital archive of more than 350 manuscripts from the personal papers of this influential Mexican statesman. The papers cover the period 1589–1853.
• Archivo de José María Luis Mora—This digital archive contains scanned copies of more than 600 documents, both manuscripts and printed works from the first half of the 19th century, as well as an exhaustive guide describing the collections.
• LANIC—The Latin American Network Information Center is a collection of subject- and country-based resource guides containing more than ten thousand links to Web-based Latin American studies content.
• HRDI—The Human Rights Documentation Initiative is committed to the long-term preservation of fragile and vulnerable records of human rights struggles worldwide and includes important partnerships in Latin America.
• Web archives that are of use to historians include the Latin American Government Documents Archive, or LAGDA, which contains copies of the Websites of more than 250 governmental ministries since 2005, and a collection of human rights–related Websites curated under the auspices of the HRDI, among others.
Collectively, the LLILAS Benson portfolio of digital initiatives includes more than ten million pages of digitized archival records; several hundred thousand pages of digitized full text and images, including monographs, journals, scholarly papers, manuscripts, ephemera, and so on; thousands of hours of digital audio and video recordings; and more than a hundred million Web-archived files. The collection of curated resource guides for Latin American studies contains more than ten thousand outbound links. Taken as a whole, the Websites holding these digital assets generate more than three million pageviews per year. The vast majority of the digital holdings consist of unique items, thus filling an important void for scholarship left by mass digitization efforts, such as Google Books and the Internet Archive’s Million Books Project.
LLILAS Benson is committed to promoting open access to scholarly resources. In contrast to the unique digitized materials hosted by database vendors and aggregators, such as Gale’s “World Scholar Archive: Latin America and the Caribbean” or EBSCO’s “Academic Search Complete,” nearly all the digital content that LLILAS Benson hosts is on the open Internet, available to any and all users regardless of location or affiliation, and without any type of registration. The one exception is AILLA, where no-cost registration is required to open or download media files.
Since 1982 there have been at least 2,000 massacres in Colombia committed by different illegal groups and by members of the Colombian army and police. The development of the conflict in Colombia has a direct relation with the causes and consequences of these crimes, perpetrated in most cases by paramilitary armies, associated to varying degrees with the cocaine trade. Paramilitary groups were a counterinsurgency force organized by the State, or independent, and supported economically by drug cartels and some landowners and businessmen.
Although guerrilla armies, insurgency, and communist groups created mostly in the 1960s perpetrated several massacres, these crimes were systematically used primarily by paramilitary groups to terrorize people in places where they had a particular interest, such as drug trafficking or vying for political power. In its book ¡Basta ya!, the Centro Nacional de Memoria Histórica has documented that 59% of the massacres were committed by paramilitary groups and 17% by guerrillas.
Rutas del Conflicto is a project created by journalists that marks the evolution of these groups through more than 30 years of war. Using mapping and timeline tools developed especially for the project, it has documented more than 700 of these crimes, displaying the degree to which the tragedy has affected the lives of millions of people in Colombia.
Liza Bakewell and Byron Hamann
A teaching and research tool for scholars and students of Mesoamerica, Mesolore is currently available as a free, open-access, Spanish-English bilingual website (www.mesolore.org). Mesolore combines interactive primary-source documents from 15th- and 16th-century Central Mexico and Oaxaca with explanatory tutorials, an archive of primary-source alphabetic documents, an atlas, syllabi and lesson plans, and audio and video commentaries by scholars and activists from a dozen disciplines working in the United States, Canada, Mexico, and Europe. These supporting materials thus expand the scope of Mesolore’s engagements across space (from Guatemala to Canada to Germany) and time (from the classic period to the 21st century).
Digital Resources: The Mexican Digital Library, BDMx (Mexican National Council for Culture and the Arts)
Andrea Martínez Baracs
The Biblioteca Digital Mexicana (BDMx) provides access—for the average user as well as for students and scholars—to significant historical materials, "unpublished or very rare," as was said in the second half of the nineteenth century, the golden age of Mexican historiography. The BDMx is not concerned with documents that have a principally symbolic value (such as autographs or decrees about the founding of cities); rather, it deals with those with high cultural density, whose value is not diminished upon their first reading. Finally, the BDMx contains only materials that are not already easily found online, which, unfortunately, excludes a great number of very valuable works.
This initiative was founded and directed with the support of a directorial council comprised of the directors of four important Mexican institutions connected to Mexican history and culture: the Archivo General de la Nación (AGN), the Biblioteca Nacional de Antropología e Historia (BNAH), the Centro de Estudios de Historia de México (CEHM-Carso), and the Consejo Nacional para la Cultura y las Artes (Conaculta). With this institutional backing, the BDMx has been able to add eight additional archives and libraries, and it continues to grow.
The AGN houses most national historical archives; the BNAH holds the main Mesoamerican Codices collection of the country, and its Colección Antigua has long been appreciated by scholars, with holdings such as the Franciscan Archives collection; CEHM-Carso is a private library that has acquired unique archival collections; Conaculta is our Ministry of Culture and, as such, has under its wing many regional museums, important photography collections, and more. The BDMx also works closely with the Universidad Iberoamericana's Biblioteca Francisco Xavier Clavijero, a private library that holds the Porfirio Díaz Archives and much more. And the Mapoteca Manuel Orozco y Berra, founded in the nineteenth century, holds a trove of historical maps.
The BDMx chooses the documents by common agreement with the curators of these collections. It looks for variety in the types of documents and supportive materials (books, other publications, manuscripts, pictography, photography, lithography, and so on). The themes are self-selected, due to their own worth and because they might mark an important anniversary or a centennial. Up to the present, some of the principal selections have been Mesoamerican codices, the unpublished oeuvre of Guillén de Lampart, ancient maps and plans, and the work of Rodrigo de Vivero.
Each item is accompanied by a historiographical introduction that aims to be up to date and relevant. The user is distracted with nothing other than the presentation of the documents, in a clean and friendly format. And the worth of the project lies in the quality of the documents. This is an example where less is more.
The Sandino Rebellion Digital Historical Archive website, a work in progress, is envisioned as a comprehensive, interpretive, open-access digital archive housing all relevant primary documents, and rare, out-of-print, or hard-to-access published works, that treat the period of the Sandino rebellion in Nicaragua (1927–1934) and the counterinsurgency campaign waged by the U.S. and Nicaraguan governments against this homegrown, campesino-based nationalist insurgency led by Augusto C. Sandino, the supreme chief of the Defending Army of Nicaraguan National Sovereignty (Ejército Defensor de la Soberanía Nacional de Nicaragua, or EDSN). Primary documents, digitized from the originals in public and private archives in the United States, Nicaragua, Great Britain, Honduras, and elsewhere, are categorized by type, provenance, and theme, with many transcribed and fully searchable. The website currently housed more than 3,700 hitherto unpublished primary documents as of May 2014; ultimately, the goal is to make universally accessible approximately 30,000 documents, including letters, diaries, military reports, consular dispatches, court records, newspaper accounts, oral histories, photographs, maps, rare published works, and other materials, to be accompanied by interpretive commentaries on specific documents, events, issues, and controversies.
The digital archive is organized in the manner of a historian’s workspace in the wake of repeated visits to the many libraries, archives, and repositories that bear on the questions we seek to address. The criterion informing the selection of documents is simple: material is included if it helps to shed light on how Nicaraguans struggled to make their own history during this period. In the spirit of social and cultural history, the focus is on ordinary people and members of subordinate groups—campesinos, indigenous communities, women, migrants—while abiding attention is also paid to more prominent and powerful actors, including merchants, landowners, politicians, and military leaders.
Roughly two-thirds of this material was culled from Record Group 127 (Records of the United States Marines) in the U.S. National Archives and Records Administration, which includes a staggering array of documentation relating to virtually every aspect of this rebellion and the counterinsurgency campaign that sought to crush it: patrol and combat reports, intelligence reports and memoranda, photographs, captured correspondence, court records, prisoners’ statements, and much else. Other major repositories and collections include the Library of Congress; the records of the U.S. Department of State (Record Groups 59 and 84 of the U.S. National Archives II in College Park, MD); the Marine Corps Research Center (Quantico, VA); the oral histories produced by the Instituto de Estudio del Sandinismo in the 1980s (now the Instituto de Historia de Nicaragua y Centroamérica of the Universidad Centroamericana, or IHNCA-UCA, in Managua); and private collections, most notably material generously shared by Walter Castillo Sandino, the grandson of General Sandino.
Roger Louis Martínez-Dávila
The essential online digital collections for Latin American history in Spain are the Ministerio de Educación, Cultura y Deportes (MECD)’s Portal de Archivos Españoles, the Biblioteca Nacional de España’s online catalogue, and the Biblioteca of the Real Academia de la Historia’s finding aids. Collectively these three collections, as well as a few additional provincial and municipal archives, offer a meaningful access point to the growing body of digital records pertaining to Latin American history. While digitized images of all manuscripts, maps, drawings, and art are not fully accessible through these online portals, their finding aids and catalogues are quite robust and provide sufficient guidance to researchers so that they can either electronically request copies or prepare for an efficient, onsite review of documents.
Access to these resources on Latin American history has largely been funded directly by Spanish governmental entities, but also through generous subventions provided by the private sector. In particular, the banking industry has been a significant contributor to the preservation and dissemination of documents pertaining to the Spanish and Spanish-American patrimony. Unfortunately, this trend has subsided since the worldwide financial crisis of 2008, but Spanish institutions are rapidly remedying the effects of this lingering situation.
By crafting collaborative programmatic initiatives, such as the Revealing Cooperation and Conflict Project (RCCP), Spain continues to make additional collections available via the Internet. For example, this endeavor, supported by the city of Plasencia, the diocese of Plasencia, the Centro Sefarad Israel (Madrid), MECD, and eight universities, is generating transcriptions of cathedral and municipal records from the fifteenth and sixteenth centuries for communities such as Plasencia, Spain. This city, as well as the province of Extremadura, is particularly important to Latin American history as large numbers of Spanish conquistadors, explorers, and settler families in Latin America hailed from this region, and they created a two-way transatlantic bridge of peoples and documents during the colonial era.
Equally important to locating these digital collections is the researcher’s use of specialized search techniques for each of these online sources. As one might imagine, simple and advanced search tools offered via the Portal de Archivos Españoles, also known as PARES, will not generate accurate or complete listings of available documents. Rather, it is critical that researchers understand how archives such as the Archivo General de Indias (Sevilla) have arranged their collections and to adjust their search techniques to locate more resources. One specific limitation of PARES, at this moment, is that often it will report a “signatura” for a specific document (for example, “CHARCAS,415,L.1,F.143V(1)”), but will also erroneously indicate that a digital copy is not available. That is, the original document is available only for physical viewing at the AGI-Sevilla or by ordering a reproduction. Scholars might believe that many of the documents they are searching for and locating using PARES are not digitized — but in actuality they do exist in electronic format. Thus, researchers must modify their search methods to find hidden pathways to electronic copies. For example, digital images of sixteenth-century colonial governance records for present-day Peru and Bolivia can be located by performing a search for an entire book of the Audiencia de Charcas (i.e., “CHARCAS, 415, L.1”).
The world of Latin American digital manuscripts, art collections, maps, and other paraphernalia is rapidly expanding during this second decade of the twenty-first century.
Between 1942 and 1964 millions of Mexicans came to the United States as guest workers, authorized by a set of bilateral agreements. Beginning in late 2005, a coalition of academic scholars and public historians from Brown University’s Center for the Study of Race and Ethnicity in America, the Institute of Oral History at the University of Texas at El Paso (UTEP), the Smithsonian Institution’s National Museum of American History (NMAH), and the Roy Rosenzweig Center for History and New Media (RRCHNM) at George Mason University came together to launch an effort to gather the stories of those workers. This unprecedented project resulted in the collection of oral histories, documents, and images over the course of five years. It involved not only scholars but also a host of local community groups that enabled the partners to surface previously hidden materials that were unlikely to make it into traditional archival collections. The collection and dissemination process was facilitated by the creation of the , an open-access website that allowed the project partners to simultaneously build the collections from widely dispersed locations as they worked to document the lives and experiences of those workers.
The Bracero History Archive serves as the primary repository for the stories, documents, and artifacts associated with the migrant laborers from Mexico who came to the United States under the auspices of the more than 4.6 million contracts issued during the years of the Mexican Farm Labor Program. As such, it is an important complement to the established scholarship on the program. At the same time, the site serves as a model of how to undertake and complete a distributed collecting project that builds upon important community relationships. This combination of scholarly value and methodological innovation was essential to ensuring the funding from the National Endowment for the Humanities Division of Preservation and Access that made the project possible. In recent years, the project has proven important for contemporary work on the Mexican Farm Labor Program, and it has contributed to enhancing our understanding of migration, citizenship, nationalism, agriculture, labor practices, race relations, gender, sexuality, the family, visual culture, and the Cold War era.