The cultural policies of the left-wing government of Hugo Chávez in Venezuela in the new millennium saw a shift back to funding and patronage of the arts after years of defunding and commodification of cultural production. However, despite leading to a renaissance of cultural activity, Chavista cultural policy also retained a modernist rationality that treated cultural production as objects to be classified and quantified. Official cultural policy in Venezuela has historically developed alongside popular-cultural formations that draw on alternative conceptions of culture that stem from everyday life. The official and the everyday have developed in tandem and, sometimes, at cross-purposes. Many scholars look to policies and states as the producers of change, but it is at the level of the everyday that we can see the emerging possibilities that define cultural movements in search of social change.
The Quechua languages are spoken today by several million people in the Andes Mountains and adjacent lowlands, from northwestern Argentina to southwestern Colombia. Quechua historical sources and scholarship, are heavily concentrated in the southern Peruvian Andes. While key aspects of Quechua’s early history remain unclear, both Inca and Spanish rule appear to have resulted in the spread of varieties of Quechua. Large regions of the Andes, including urban areas and nonindigenous social strata, were almost entirely Quechua speaking well into the 20th century. “Quechua” embraces a tremendous diversity of dialects, sociolects, and contexts of use, and it has experienced surprising transformations over time. Its post-conquest history cannot be envisioned in terms of gradual decline; there have been retreats but also resurgences, and losses in one arena have been offset by gains in another.